Murder on the Orient Express | Film Tone


Characteristics of the cinematographic style of Murder on the Orient Express:

- constantly shaky camera from the train rocking

- CGI serves the exploration of the anatomy of the train

- black-and-white flashbacks (unnecessary and plainly shot and turned b/w)


SHOT/REVERSE SHOT

DIALOGUE COVERAGE SHOT FROM ABOVE EYE-LEVEL

- characters' shoulders are absent from the other's coverage

- creates a mental distance between them; as if the kindness is coming purely from manners

DP SHINES



Each of them is suspected now, but also each of them is lying so they are all two-faced. State of the soul represented in the visuals / Foreshadowing

Train Porn:

Directing:

-everybody talks (do they need to?)


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